‘Le Opere Da Non Perdere’, reads a link on the Museo di Castelvecchio website. And if you click through, a gallery displays images of 20 works that must not to be missed on a visit to the museum in Verona. Except six of these highlights can no longer be accounted for. They were among the 17 paintings stolen from Castelvecchio on the evening of 19 November, making for a bleak roll-call of losses: Pisanello, Madonna of the Quail; Jacopo Bellini, Penitent St Jerome; Mantegna, Holy Family with a Saint; Gian Francesco Caroto, Portrait of a Young Boy Holding a Child’s Drawing; Rubens, Lady of the Campions; Hans de Jode, Seaport.
Opere da non perdere. Works not to miss. And works not to lose, either. It is hard to overstate the gravity of this theft for both the museum – one of the finest civic collections in northern Italy – and for an Italian museum sector that has, under the recent reforms of culture minister Dario Franceschini, been tasked with putting its house in order.