ArtDealers

FBI seizes art and documents from Santa Fe dealers

FBI agents carried paintings, documents and a computer last week from the homes of two Santa Fe art dealers under investigation for possible fraud, court documents show, as artists claim they have not been paid for work the duo has sold and buyers allege they have not received pieces they purchased.

Search warrants unsealed in federal court Friday indicate investigators are trying to track down paintings claimed by several artists and buyers who say they have struggled for years to recover works that rotated through galleries jointly owned by Saher Saman and Marji Hoyle.

Museums and the art trade: dangerous liaisons?

The foggy world of art dealers’ historical relationships with museums is coming into sharper relief. When the National Gallery in London acquired the archive of the dealers Thomas Agnew and Sons in 2014, it marked a growing interest in exploring this history, following the Los Angeles-based Getty Research Institute’s acquisition of the Knoedler Gallery’s archive in 2012 and the Colnaghi archive’s installation at Waddesdon Manor.

The National Gallery’s conference on 1 and 2 April, Negotiating Art: Dealers and Museums 1855-2015, will explore this relationship through the latest research, taking a broad historical sweep, fr om mid-19th-century London to fin-de-siècle Paris and 1930s Detroit. It is an opportunity, says Alan Crookham, Research Centre manager at the National Gallery, to look at a complicated relationship. “How does it manifest itself in the exchange of expertise, or helping develop collections… And are people reluctant to talk about that because of the public nature of museums?”