Art Authentication

Tom Toumazis MBE at PAIAM Conference 2017

Tom Toumazis MBE, Tagsmart’s Executive Chairman, was invited to speak at this year’s Professional Advisors to the International Art Market Conference, which took place at Sotheby’s Grosvenor Galleries at Aeolian Hall on 11 July. 

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He took the opportunity to discuss Tagsmart’s journey, which began with Steve Cooke, our Chief Innovation Officer, and renowned frame-maker Mark Darbyshire. Led by Tom, in the past couple of years we gradually assembled an esteemed board of advisers formed of the UK’s foremost security, art conservation, software and materials science experts. 

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Throughout Tagsmart’s evolution, we have endeavoured to create a solution which appeals and conforms to our clients needs and wants. We have worked extensively alongside scientists and conservators ensuring our Tag does not interfere with the artwork and is applied with ease. The outcome is our triple-lock solution for authentication encompassing the DNA Tag providing proof of origin, the Certificate sealing ownership and our digital Provenance Record acting as a digital passport over time. 

After a year since Tagsmart’s launch, we are pleased to be working with some of the UK’s leading artists including Mario Testino and Gary Hume and to have tagged over 5,000 works of art. 

We are honoured to have shared our story with other professionals in the field, discussing the challenges of establishing authenticity and how we believe technology is leading the way forwards in addressing this issue. 

Dealer: Warhol Spacefruits are real; owner has Authenticity Certificates

In response to news reports of Nira Levine’s lawsuit over a set of Warhol Space Fruit prints, Kristine Woodward writes with this statement:

“Woodward Gallery emphatically refutes Nira Levine’s baseless and inflammatory allegations. The Spacefruit prints which Levine, an art dealer herself, purchased through the Gallery, were authenticated with a rating of “A” by the Andy Warhol Art Authentication Board. The Andy Warhol Foundation has just confirmed those findings. The original Certificates of Authenticity were transferred to Nira Levine when she took possession of the prints in 2014. The prints themselves are additionally stamped with the aforementioned “A” numbers. Accordingly, there is no factual basis for her to now – or ever – claim that the prints are fake. It is shameful that Nira Levine would assert a dubious statement in a lawsuit when she in fact has obvious proof of her investment in hand.”